Light within the scene. Also called available light.
Light that already exists in a scene, either natural (sunlight) or manmade (artificial).
surrounding light in an area
Level of illumination from natural lighting sources already existing in an environment.
The amount of general light available in a room at any given moment. When this term is used in conjunction with a remote control it usually represents the light level while the home theater system, and thus the remote, are in use. Moderate to low levels of light typically represent the most difficult conditions to use a remote control under, and are thus where good backlighting and LCD contrast are most useful. See also: LCD screen, backlight, contrast.
The total amount of light in a space, including light from direct sources and light reflected from all surfaces in that space. Ambient light in most museum exhibitions is reflective.
Available sunlight underwater used as a source of illumination. "Natural light"
The general overall level of lighting in an area.
Ambient light refers to any outside light such as sunlight coming through windows or overhead room light.
Any light in the viewing room created by a source other than the projector or screen.
light so scattered from various objects that no discernable source is evident. See ambient.
General, absolute light of the environment that has no direction but shines equally on all polygons; natural illumination outside the model
An approximation to the indirect illumination of an object in a scene as a result of light scattering from other objects. Ambient light is a constant level of illumination in a Zone. See also: Environment, Light.
The light around the viewing area. Either around the computer display or the area where proofs are examined. Variations in ambient light can greatly affect the appearance of proofs and of the image on the computer display
designates the overall lighting of your scene. The ambient light governs the darkness (or lightness) levels on objects in your model. When the ambient light setting is a light color, the side of your object that is opposite the light source(s) appears lighter. Conversely, when the ambient light is set as a darker color, i.e. black, the side of your object that is opposite the light source(s) appears darker. If you set the ambient light too high (i.e. white), your objects may appear flat. However, don't set the ambient light too dark because your objects may not be easily visible, especially if the objects already have a dark color assigned to them.
Natural light that surrounds subject matter being photographed (ie. there is no artificial light used to illuminate the subject).
Ambient light is the base amount of light present in the scene. Ambient light brightens every surface of models. Ambient lights do not cast a shadow and are always positioned outside a scene.
The average light level in the room surrounding the robot.
Unintended lighting from a surrounding environment.
the available light completely surrounding a subject that is not introduced artificially.
The normal unaltered lighting conditions of a scene. Ambient would include normal room illumination (indoors) or normal conditions outdoors.
Broadly speaking, ambient light means the diffused and reflected light that fills the environmental outdoors. It can also be artificially set up, indoors with strategically placed lights.
The available light surrounding a subject. This can be thought of as the light already existing in an indoor or outdoor setting that is not a result of any illumination (flash etc..) supplied by the photographer.
Uncontrolled and unintentional illumination.
General non-directional illumination.
Ambient Light: Light coming from every source in a room such as windows, sky lights and light fixtures.
The available light completely surrounding a subject. Light already existing in an indoor or outdoor setting that is not caused by any illumination supplied by the photographer. Photographer: Anna Collins KINSA/KODAK Photo Contest Film: KODAK GOLD Plus 200 Film Size: 35 mm
In three-dimensional graphics, light that reflects off one or more surfaces in the scene before arriving at the target surface. Ambient light is assumed to be nondirectional, and is reflected uniformly in all directions by the reflecting surface. In GL, ambient light is mocked up by use of ambient terms in the lighting equation, rather than actually computing the reflections.
The surrounding room light.
The available light. Already existing in an indoor or outdoor setting which is not caused by any illumination created by the photographer. (see Existing light )
Light which is present in the environment of the imaging front end of a vision system and generated from outside sources. This light, unless used for actual scene illumination, will be treated as background noise by the vision system.
Light that exists everywhere without any particular source. Ambient light does not cast shadows, but fills in the shadowed areas of a scene.
The light in a given area. May be natural or man-made, but does not include direct or internal illumination.
The surrounding light within an environment
The natural available light in a scene, for example the light from the sun through a window.
Existing light surrounding a subject; the light that is illuminating a scene without any additional light supplied by the photographer. "Available light" and "existing light" are two other terms that mean the same thing.
the natural light (usually soft) or surrounding light around a subject in a scene; also see background lighting ambiguity a situation, story-line, scene, or character, etc. in which there are apparent contradictions; an event (and its outcome) is deliberately left unclear, and there may exist more than one meaning or interpretation; can be either intentional or unintentional, to deliberately provoke imaginative thinking or confusion Example: Robert Altman's 3 Women (1977)
All light in a viewing room produced by sources other than the screen.
Light in the area of the photoelectric sensor, not originating from the sensor emitter. Ambient light can adversely affect non-modulated sensors.
The available light completely surrounding a subject. Light already existing in an indoor or outdoor setting that is not caused by any illumination supplied by the photographer. !-- google_ad_client = "pub-6253669765158061"; google_ad_width = 468; google_ad_height = 15; google_ad_format = "468x15_0ads_al"; google_ad_channel =""; google_color_border = "000000"; google_color_bg = "000000"; google_color_link = "CCCCCC"; google_color_url = "FF6600"; google_color_text = "FF6600";
Lighting throughout a space that produces general illumination.
Light that is present in the environment of the imaging front end of a vision system and generated from outside sources. This light is usually treated as background noise by the vision system. Vision cameras should be shielded from ambient light.
It is the available sunlight underwater used as a source of illumination.
Ambient light causes fogging on emulsions, reduced contrast, loss of detail and thereby loss of definition. In gravure work ambient light must be guarded against, especially in the film stage. The ultraviolet wavelengths in ambient light during handling of the polymer plate can cause fogging and significantly reduce the tonal scale of the print.
Light already existing in an indoor or outdoor scene independent of any light supplied by the photographer.
The maximum amount of ambient light received by the light-receiving surface of the sensor that allows a sensor to function normally.
The natural or artificial light available in an indoor and or outdoor setting, which surrounds the subject but is not produced or modified by the photographer for the purposes of taking a picture; 2) the natural light in a scene; 3) Light that has no apparent source and does not cast shadows.
The amount of natural light present in your digital photo.