The angles at which halftone screens must be placed to avoid moire patterns

The direction that halftone dots run as a result of screen positioning during the conversion of continuous tone art to halftone film. A set of angles often used are: black 45°, magenta 75°, yellow 90°, cyan 105°.

Angles in the "dots" that are used to represent continuous tones when printed. The angles of CMK must be 30 degrees apart in order to assure no patterns are present. Since yellow is such a light color, this angle is only 15 degrees apart from the others.

The dots making up each colour in the 4-colour film set are imaged at a different screen angle to avoid creating a moire pattern. The angles usually used are 90' for yellow, 1 05' for cyan, 75' for magenta and 45' for black.

The direction of lines or rows of dots in a halftone screen. The angles used to offset the different screen in process color separations are critical to minimize moire patterns.

The angles at which halftone screens are positioned in relation to one another to avoid moiré patterns. The set of angles most commonly used are black –45°, magenta –75°, cyan –105°, yellow –90°.

The angles at which halftone, duotones, tritones, and color separation printing films are placed to make them look right.

In color reproduction, any of the particular angles at which a halftone screen or the original itself is placed for each of the color separation negatives, in order to prevent formation of interference patterns (moire) in the completed color reproduction (angles of 30 degrees between colors produce minimum patterns).

Angles used to offset the different film in process colour separations

The placement of halftone screens to avoid unwanted moiré patterns. Frequently used angles are black 45º, magenta 75º, yellow 90º, and cyan 105º.

In colour reproduction, angles at which the halftone screens are placed with relation to one another, to avoid undesirable moiré patterns. A set of angles often used is: black 45 degrees, magenta 75 degrees, yellow 90 degrees, cyan 105 degrees.

Frequently a desktop publishers nightmare. The angles at which halftone, duo tones, tri tones, and color separation printing films are placed to make them look right.

The placement of halftone screens to avoid unwanted moire patterns. Frequently used angles are black 45deg, magenta 75deg, yellow 90deg, and cyan 105deg.

In colour reproduction, angles at which the half tone screens are placed with relation to one another, to avoid undesirable moire' patterns. A set of angles often used is: black 45 degrees, magenta 75 degrees, yellow 90degrees, cyan 105degrees.

Technique used in 4 color printing which sets halftone screens at various angles to avoid moiré patterns.

Angles used for positioning halftone screens when producing film to minimize undesirable dot patterns.

In half-tone printing, the geometric intervals at which halftone screens are placed to eliminate the appearance of moiré on a print. Usually, these are back at 45 degrees, magenta at 75 degrees, yellow at 90 degrees and cyan at 105 degrees.

In half-tone printing, the coordinated placement of screens to avoid moiré patterns on the final image. The most commonly used angles are: Black = 45 degrees; Magenta = 75 degrees; Yellow = 90 degrees; Cyan = 105 degrees.

The angles at which halftone screens are placed in order to avoid undesirable screen patterns, called moirés.

In lithography, it is necessary to rotate the angles of the screens in order to create a rosette pattern. Using a horizontal line as a base plane, the first angle would be found at 45 degree angle from the base, 75 degrees would be the next, 90 degrees and finally 105 degrees.

Varying sequence of angles to allow the dot pattern of each color to print with the other colors without causing distortion or moire.