A carved or painted ornament that resembles the foliage of the acanthus. A classic design used by the greeks and Romans, it appears in Gothic art and architecture, and it was revived in the Renaissance. The acanthus leaf appears in the Corinthian and Composite capitals. The Greek design has pointed leaf edges, but the Roman version is rounded and broader with vigorous curves. In Byzantine and Romanesque decoration, the acanthus is stiffer and less delicate. It becomes rounded and more bulbous in the early Gothic period, then becomes bixarre with long thistle-like foliage in the late Gothic period. With the Renaissance, the acanthus and tendril motif reaches its highest degree of refinement and elegance.
A repoussé ornament resembling the foliage of the acanthus. A classical device used by both the Greeks and the Romans, the acanthus leaf further evolved in European decoration, becoming a favorite device of blacksmiths from the 17th Century forward.
popular Greek decorative motif adapted from the acanthus plant. Found in almost all classic design, notably the capital of Corinthian column.
Motif in classical architecture found on Corinthian columns
A design style and decorative wood carving style based on the acanthus leaf, used in 18th century design.
Decorative wood carving motive design based on the leaf of acanthus plants, common in 18th century. (genus Acanthus has large pointed leaves with a white-purple flower native to Mediterranean) Classic Greek and Roman origin found on the capital of Corinthian columns.
A leaf decoration often used on furniture, particularly on brackets and legs.
Popular Greek and Roman decorative motif based on a conventionalized leaf of the acanthus plant. Found in almost all classical design, notably the capitals of Corinthian columns.
A plant with a beautiful leaf of scrolling points and pinnate lobes. Often found in objects from Greek and classical antiquity as a decorative motif. Still popular in fabrics, art, accessories and carvings.