One in control of the stage during the production of a play. He directs the stage hands, property man, etc., has charge of all details behind the curtain, except the acting, and has a general oversight of the actors. Sometimes he is also the stage director.
A very important person who gives instructions or “calls†for just about everything that happens on stage. Because directors usually leave soon after a show has opened, stage managers are also responsible for seeing that a production continues to be performed just the way the director wanted. Stage managers lurk unseen by the audience, either just out of sight in one the wings or in a booth at the back of the house. This is where the Rep’s stage manager works during a show although there will also be an assistant stage manager backstage.
The person responsible for the management and successful completion of the stage. [D01889] WST
1) The Head of the Stage Management team comprising the deputy stage manager (DSM) and assistant stage manager (ASM). The DSM is normally "on the book" calling the cues from the prompt corner. The ASM supervises props. Depending on the needs of the production, there may be a team of stagehands, usually casual employees. 2) A software program by Richmond Sound Design which, via MIDI Show Control, can be set up to "run the show".
The one in charge of the technical aspects of the entire opera while it is running. Cues all light changes, sound effects, entrances (even of the conductor) and everything else that happens.
The individual on the set of a studio who cues the participants and otherwise provides liaison with the control room.
someone who supervises the physical aspects in the production of a show and who is in charge of the stage when the show is being performed
(SM) The person who oversees the technical aspects of an in-studio production. In theatre, the stage manager is responsible for everything that happens backstage: all other backstage personnel, including heads of departments, report to him. In the professional theatre, once the show starts its run, he takes complete control (including taking any rehearsals for understudies etc.), as the Director's job is finished once he has given his notes after the final dress rehearsal.
In Jeliot controlling the different stages, the speed of the animation, among with some other controls is done using the module called the Stage Manager.
person who coordinates all aspects of the production during a performance, runs or calls the show.
The director’s right-hand (wo)man prior to the beginning of performances. He/she keeps track of rehearsal schedules, scripts, props, and actors during the rehearsal process. Once the run of the show has started, the stage manager is in control of everything that happens backstage or onstage. The stage manager (or “SM†for short) "conducts" each performance by calling cues. This means the SM follows the show in a prompt book (which is the SM’s comprehensive copy of the rehearsal script, complete with all blocking and technical cues) and tells the light board operator and the sound board operator when to execute their cues.
The director's liaison backstage during rehearsal and performance. The stage manager is responsible for the running of each performance.
(Production Stage Manager, Assistant, etc.) Works with the director during rehearsals, takes notes on staging, herds the actors, helps routine the work day. Directs the technical aspects of a show in production (calls light cues, set changes, etc.).